In the November 2006 issue of much respected Boston magazine "The Noise" they show their love in spades for the debut release from Lenny & the Piss Poor Boys. Read on to see why!

"The Cramps fused rockabilly and “The Monster Mash” and spawned Monsterbilly. Now Lenny & his Boys are putting grins on the parched lips of jaded hipsters everywhere. They’re not the hayseed dialectic to the black-leather-jacket punk; they actually combine the thematic concerns of the self-marginalized people who create and consume punk and c&w. This is neither Green on Red-style punkabilly nor Blood on the Saddle-style cowpunk, but a novel synthesis; call it p&w. And because these guys really know their shit, they can and do meld these two very musically disparate genres and create awesome, often hilarious and sometimes heart-rending songs that are monstrously original and appealing."

"Some songs are entertaining gems: the gutbucket vocals of the rustbelt plaint “Wrong Side of the Tracks,” the steel-guitar suffused Ramones tribute “Beat on the Brat,” and “Whiskey & Water,” a goofball drinking song that starts in a hyper-waltz-rhythm and launches into a chugging rockabilly rave-up. But tunes like the chilling but sprightly midtempo murder ballad “Two Robbers,” the goodnight song “Leaving in the Morning,” and, especially, the raucous no-hoper chantey “Can’t Take Anymore” also have so much heart they can chill you right to the bone." -(Francis DiMenno)